e

Edia is a real-time narrated media presentation by Willy Le Maitre displayed in stereographic format.

Edia explores the topologies of information space. While an individual is situated in a body, it's counterpart, the dividual, is situated in it's bodies relations, communication, emotings. The work details the notion of a distributed self and it's relative psycho geography, encompassing the non euclidean space of networked culture in general.

Edia is an entity that distributes the self in a constellation of points around the globe. The points are personified by 'friends' in dialog. The entity's interconnected points can fluidly scale to encompass vast dimensions in time and space. Edia's molecular constitution is bonded by audiovisual channels that are both it's memory and links to the possible in sequences of event. It's amalgamations of inter subjective perspective visualize reality as an artifact of communication.

video document of Edia

3d stereo video document of Edia

documentation of Edia installation...

contact

 

x

ON: The bounding layer's surface forms continuous horizon.

ON: The bounding layer's surface forms continuous horizon.

ON: The bounding layer's surface forms continuous horizon.

WITHIN: The outside turns in and the horizon collapses, taking the sky with it. All points are connected- Networked, we are all visible to one another.

WITHIN: The outside turns in and the horizon collapses, taking the sky with it. All points are connected- Networked, we are all visible to one another.

THROUGH: the cylinder forms an ellipse, it's length - a passage. A liminal space that is both form and void – hole and whole.

THROUGH: the cylinder forms an ellipse, it's length - a passage. A liminal space that is both form and void – hole and whole.

THROUGH: the cylinder forms an ellipse, it's length - a passage. A liminal space that is both form and void – hole and whole.

OUT/IN: Perspective is established by the eye. The eye acts as both witness and writer; encoding the seen into memories that are seeded into the cloud below it.

OUT/IN: Perspective is established by the eye. The eye acts as both witness and writer; encoding the seen into memories that are seeded into the cloud below it.

OUT/IN: Perspective is established by the eye. The eye acts as both witness and writer; encoding the seen into memories that are seeded into the cloud below it.

OUT/IN: Perspective is established by the eye. The eye acts as both witness and writer; encoding the seen into memories that are seeded into the cloud below it.

Edia is comprised of a network of emotives. The network has a
molecular quality; its bonds of audiovisual sequences play in the
emotive's nodes.

Edia is comprised of a network of emotives. The network has a
molecular quality; its bonds of audiovisual sequences play in the
emotive's nodes.

Edia is comprised of a network of emotives. The network has a
molecular quality; its bonds of audiovisual sequences play in the
emotive's nodes.

Edia is comprised of a network of emotives. The network has a
molecular quality; its bonds of audiovisual sequences play in the
emotive's nodes.

THE NESTED SHELLS: Shells envelope one another, each, a dimension that influences the growth and direction taken at the center.

THE NESTED SHELLS: Shells envelope one another, each, a dimension that influences the growth and direction taken at the center.

THE NESTED SHELLS: Shells envelope one another, each, a dimension that influences the growth and direction taken at the center.

AT THE CENTER: direction of thought is decided. It is the result of a complex interaction of memory, desire and the emotivational.

AT THE CENTER: direction of thought is decided. It is the result of a complex interaction of memory, desire and the emotivational.

POSSIBLES: forces of perception and imagination are stimulated. The actual materializes overwriting the cascades of incompossibles.

POSSIBLES: forces of perception and imagination are stimulated. The actual materializes overwriting the cascades of incompossibles.

POSSIBLES: forces of perception and imagination are stimulated. The actual materializes overwriting the cascades of incompossibles.

DIVIDUALS: the identicals radiate from within the dividuals body. They are particles produced in points of view, the identicals interact with the real and actual.

DIVIDUALS: the identicals radiate from within the dividuals body. They are particles produced in points of view, the identicals interact with the real and actual.

DIVIDUALS: the identicals radiate from within the dividuals body. They are particles produced in points of view, the identicals interact with the real and actual.

POINTS OF LIGHT: the frequency's value produces character that is attributed to matter.

POINTS OF LIGHT: the frequency's value produces character that is attributed to matter.

POINTS OF LIGHT: the frequency's value produces character that is attributed to matter.

POINTS OF LIGHT: the frequency's value produces character that is attributed to matter.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, it's subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, it's subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, it's subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, it's subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, it's subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, it's subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, it's subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, it's subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, it's subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, it's subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, it's subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, it's subject and each, subject to one another.

FROM OUTSIDE: the surrounds' boundary is a shell, beyond which, appearances of pasts and futures take the shape of here and now.

FROM OUTSIDE: the surrounds' boundary is a shell, beyond which, appearances of pasts and futures take the shape of here and now.

VEHICLE POINT: each point contains the knowledge of the whole network including it's paths, thoroughfares, arteries, streets, tangents, threads and trace roots.

VEHICLE POINT: each point contains the knowledge of the whole network including it's paths, thoroughfares, arteries, streets, tangents, threads and trace roots.

VEHICLE POINT: each point contains the knowledge of the whole network including it's paths, thoroughfares, arteries, streets, tangents, threads and trace roots.

VEHICLE POINT: each point contains the knowledge of the whole network including it's paths, thoroughfares, arteries, streets, tangents, threads and trace roots.

3

 

 

  3